The film’s most immediate surrealist touch is the total absence of men. Set in a timeless European village, the inhabitants are almost exclusively female entomologists who spend their days attending lectures on the mating habits of butterflies and moths.
Shot in Hungary, the setting evokes a "Disney-esque Central Europe" reminiscent of films like Pinocchio . The Duke of Burgundy
In his 2014 masterpiece, , director Peter Strickland constructs a lush, hermetic universe that feels like a forgotten 1970s Euro-erotica film discovered in a time capsule. Far from being a mere exercise in style, the film—which follows a lesbian couple whose relationship revolves around intricate sadomasochistic roleplay—serves as one of cinema’s most tender and incisive explorations of domestic compromise. A World Without Men The film’s most immediate surrealist touch is the
The experience is heightened by a "sensual, evocative" score by the duo Cat's Eyes and meticulous sound design that emphasizes the rustle of wings and the click of heels. The Kink of Compromise In his 2014 masterpiece, , director Peter Strickland