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Drawing from Julia Kristeva’s theory of the abject , "Taint.mov" explores that which "disturbs identity, system, and order." The "tainted" subject in the film represents a breakdown of the boundary between the internal and the external. The film suggests that in the digital realm, our "data bodies" are just as susceptible to rot and infection as our physical ones.
The primary tool of "Taint.mov" is its deliberate use of digital artifacts. In digital media theory, a glitch is often seen as a failure of the system; however, in this work, the glitch is the primary storyteller. Taint.mov
Abstract
The auditory experience of "Taint.mov" is characterized by abrasive, non-linear sound design. Drawing from Julia Kristeva’s theory of the abject
The film frequently juxtaposes mechanical failure with biological vulnerability. The "taint" represents a virus that bridges the gap between hardware and human flesh. 3. Soundscape and Psychological Impact In digital media theory, a glitch is often