[s1e11] That Which We Destroy -

The character Ben, often viewed by the audience as a suspicious or "token" side character, serves a meta-commentary purpose. His presence highlights how marginalized people are often sidelined in media, making the audience feel "uneasy" when his story remains unexplored compared to white secondary characters.

The series is frequently cited as one of the greatest television works of its decade, holding a on Rotten Tomatoes and an 86 on Metacritic . I May Destroy You | Hammer Museum - UCLA [S1E11] That Which We Destroy

Arabella finally returns to the Ego Death bar, not to find her attacker, but to confront the space itself. This preparation sets the stage for the experimental, multi-ending finale that follows. 🖋️ Themes & Deep Review The character Ben, often viewed by the audience

“[Arabella] gains control by giving them a shape. Arabella can tease and twist [threads of her life] into a form, where they all work together... rather than pull in opposing directions.” Vulture · 5 years ago 📺 Series Context "That Which We Destroy" Air Date: August 17, 2020 (US) Writer/Director: Michaela Coel I May Destroy You | Hammer Museum -

“Coel makes her characters authentic and relatable and terrible all at the same time. She drills on how everyone has flaws but also a story worth reflecting on.” Rotten Tomatoes

Michaela Coel is praised for making characters "authentic and relatable and terrible all at the same time," drilling into their flaws.